Tag Archives: fathers and sons

Whisper (Revised)

Above a Whisper

I walk on blades
Of grass around
My father’s grave

Avoiding sunken
Markers careful not
To wake the dead

I want to share news
About a great job
My own place to live

The love of a woman
Who finds me
Worthy of affection

But none of this
Has happened
And it’s getting late

I tell him about
Another mild
Chicago winter

And Vegas picking
The Cubs to win
The World Series

My voice breaks
Like mist
Above a whisper

As birds fly in V-formation
Over headstones
Fixed in solemn rows

***

Above a Whisper (Nervous Lethargy Version)

I walk on blades
Of grass around
My father’s grave

Avoiding sunken
Markers careful not
To wake the dead

I’d like to share news
About a great job
My own place to live

The love of a woman
Who finds me
Worthy of affection

But none of this
Has happened
And it’s getting late

I tell him about
Another mild
Chicago winter

And Vegas picking
The Cubs to win
The World Series

It sounds like I’m
Talking to myself
Above a whisper

As birds fly in V formation
Over headstones
Fixed in solemn rows

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Silent Prayer

After writing two books—the first on philosophy, the second a collection of poetry—I see my writing in a new light. I am a better philosopher than a poet, and this is fine because I write always with the spirit of a poet. Blogs, emails, research papers. Even grocery lists.

I’m writing this now because I want to say what I truly am: a reader.

Recently my mother and I visited my father’s grave. She brought a book of prayers that bring her comfort and insisted I read one out loud, and I did because we both needed to hear it.

Afterwards my mother paused and turned to me. “You have always been a great reader, even as a child.” I took her at her word and said a silent prayer. Later I read a little Baudrillard and thought of this blog and the books I have written and the things I still want to say.

Have I ever written a word without reading it to myself first? Am I not my ideal reader?

A great writer is a patient reader who knows when to pause and see the world anew—not as it appears, but how it might have been, or how it will never come to be. A great writer erases him- or herself from the world word by word, offering a different version of events in which he or she has already disappeared, or never arrived.

Socrates, as envisioned by Plato, said philosophy is a preparation for death. Socrates wrote nothing down. He couldn’t see for himself that writing, too, is a preparation for death—that writing about the departed brings us closer to death.

Two interpretations among many: I went to read a prayer in a cemetery, but there was no sign of my father. Or it wasn’t clear I had read a prayer in a cemetery until I blogged about it here. All that remains of my father is a sign.

Until I die I will write, but not before reading every word back to myself—not to ensure clarity, but to suspend meaning, to render the world more enigmatic for those I’ll leave behind.

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Filed under Life, Philosophy, Poetry

The Weight Of A Thousand Ghosts

When I became the lead opinion writer for my college newspaper, my father suggested I call my column “The Road Not Taken” after one of his favorite Robert Frost poems. I thought about it but went in a different direction, choosing instead a title of my own: “Free Association.”

Five years later I instructed the cemetery director to add these lines to my father’s headstone:

“Two roads diverged in a wood, and I—
I took the one less traveled by”.

I read recently that Frost wrote “The Road Not Taken” with his friend Edward Thomas in mind. After an initial reading, Thomas thought that Frost, through the speaker in the poem, was lamenting the uncertain nature of making choices, suggesting his life would have played out differently if he had traveled a different road. Actually, Frost was poking fun at Thomas, who frequently complained about the routes they took on walks through the woods. Unaware of this backstory, many readers believe Frost is arguing in favor of the road not taken, praising independent spirits for forging their own paths.

We can’t imagine a life we didn’t lead—we only know the road we’ve taken, the one we’re on right now.

Wherever he went, my father didn’t travel lightly. He carried in his chest the weight of a thousand ghosts.

Naturally I inherited his nerves. I was hurting so bad after college I decided one day to disappear. Medicine works best in small doses. But it’s easy, when you think about it, to fit a bottle in your mouth.

There is no magic pill, I’ve learned, no invisible ink for writing goodbye. Once you’re born, you’re in the thick of things. Even suicide, Sartre reminds us, is an act of being in the world.

There were signs we missed, being caught up in our moods. I shared a poem with him once about my life being an arduous climb up a mountain that extends higher and higher with each step, death a slip within reach.

Our only hope is to keep climbing, he said, without looking down. “This is how you’re feeling now. The pain won’t last forever.”

These are the pictures I paint of him in poems, stories and songs. There’s an art to reproducing one’s father, recasting his shadows, repeating his sins.

Fate is genetic; it comes before and after us. Faith requires both a leap and a precipice.

It’s easy to get lost in the woods.

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Dedication Page

Last week marked ten years since my father died. I’ve decided to dedicate my book to him.

I finally settled on a title. The Intimacy of Communication: A Spiritual Encounter.

The book is in its final stages, and I’m learning more about Microsoft Word than I ever thought possible. The perfectionist in me wants everything “just right,” as if a typo makes me a bad person.

I expect perpetual greatness from my writing when better-than-average in some parts might be good enough. Did I expect greatness from my father all the time? Did I assume he shouldn’t get angry or that we’d always see eye-to-eye? If so, I was a fool, or at least a child.

Books endure revisions—and revisions of revisions. Whole paragraphs disappear, chapters expand and contract, wordy prose turns poetic.

Over the last ten years I’ve reimagined our father-son narrative. Some days a piece of dialogue we shared gets a fresh—or murkier—interpretation. Some days the character played by my father undergoes dramatic rewrites, revealing tragic flaws I hadn’t considered.

It’s hard for a son to grasp the power of his father’s presence, but even harder to mourn his death. As my book nears publication, have I even begun the process?

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Friendly Confines

My dad liked to say that in life people are free to choose their own confinements. He chose to become a teacher and found himself confined to the classroom. He chose to become a father and when I arrived he built a life based around my mother and me.

I say that our confinements help us appreciate the limited amount of freedom we have. By becoming a teacher my dad was not a librarian or a fireman or starting first baseman for the Chicago Cubs. The classroom became his world. He was bound by district rules, standardized tests, report cards and textbooks. But he had the freedom to teach Hamlet or the five-paragraph essay as he saw fit. He encouraged students to follow their passions, even though as teens many thought little of the future.

I’ve heard a theory that the major events of our lives happen no matter the daily individual choices we make. My dad was in a way destined to teach—maybe not in Chicago, maybe not English—but still a teacher. Even after his initial dream of becoming a minister wasn’t realized, he wanted to help people—lifting their spirits, nourishing their minds. Minister or teacher—he was in the same ballpark.

Oftentimes we try too hard to force the action in our lives. We push for things we think we want, only to see them escape our grasp. Then there are those opportunities we never considered, appearing out of nowhere.

There’s power in submitting to the possibility that my life follows some kind of destiny. Accepting the will of the universe and learning to live with myself? How freeing.

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Filed under Life, Philosophy

The Child Is Father Of The Man

Eight years ago today my father died.

It’s always tough, but with each anniversary my sense of loss has changed. The other night I looked at his picture and cried, but the heartache, vast for a moment, passed.

I remember pushing my toy chest into his room as a child. I’d sell him a stuffed animal or Matchbox car and he’d pay me in hugs. The chest was heavy and the wheels were thin, but I forged ahead.

My father, I like to think, is asleep behind a series of doors in the middle of an endless hallway. Perhaps one day he’ll wake from a dream to find I’ve arrived, and recognize the child in me.

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